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[email protected] 1. Which of the following is not an artistic medium? Style Style is not an artistic medium Sculpture Painting
... [Show More] Photography 2. Form is defined as: Physical and visible characteristics of a work of art Cultural ideas surrounding a work of art meaning derived from a work of art 3. Content is defined as: Meaning derived from a work of art Culture surrounding a work of art Specific location where the work was created. 4. A subjective level of looking at art involves: emotional reactions a work of art context surrounding the work the work's physical characteristics 5. Artistic roles include: Description Narrative Enhancing our surroundings Spirit, myth and fantasy All the above 6. Artistic categories include Fine Art, Popular Culture and Style Style is not an artistic medium Physical and visi- ble characteristics of a work of art Meaning derived from a work of art emotional reac- tions subjective level in- volves our emo- tional responses and biases to- wards a work of art All the above Craft Craft Papermaking Drawing The Internet 7. A shape or three-dimensional volume that has or gives the illusion of having weight, density or bulk is . form line pyramid shape 8. The empty or open area between, around, above, be- low and within objects is called . space shape form content 9. is an element of art that refers to the lightness or darkness of a color or of an object. Value Hue Brilliance Form 10. The element of art produced when a wavelength of light strikes an object and reflects back to the eyes. Color Line Value Shape 11. These colors are directly opposite each other on the color wheel. When mixed together, they make a neutral form space Value Color Complementary gray or brown. Complementary Analogous Tertiary Yellow 12. A mark created by a point that moves across a sur- face, usually created by a drawing tool of some type. Line Form Design Canvas 13. This element of art that refers to the surface quality or feel of an object, or how something looks as if it might feel. Texture Color Form Linear perspective 14. Colors ranging from yellow to red on the color wheel are warm; colors ranging from blue to green are cool. True False 15. The visual relationship between a mark and the sur- face it's created on; this can also describe the rela- tionship between the positive and negative spaces of an image. Figure/Ground Subtractive Analogous Chiaroscuro Line Texture True Figure/Ground 16. A large difference between two things: for example, rough and smooth or white and black. Contrast Value range Color Texture 17. Vincent van Gogh used mostly colors. Monochromatic Objective Chromatic Tertiary 18. The work of Eugene Delaplanche's "Eve After the Fall" emphasizes: Mass Figure/Ground Reversal One-Point Perspective Geometric Shapes 19. Leonardo da Vinci's "Last Supper" provides the view- er with the illusion of the three-dimensional world on a two-dimensional surface by the use of: Linear perspective Symmetrical balance The Golden Mean Cross-hatching 20. The work of Caravaggio's "Judith and the Head of Holofernes" emphasizes to increase the visual tension for the viewer. High contrast Low contrast Organic shapes One-Point Perspective Contrast Monochromatic Mass Linear perspective High contrast 21. In Georges Seurat's "Sunday Afternoon at the Grande Jatte", the artist used the technique for applying paint in small color dots called: Pointillism Transitory strokes Impressionism Period painting 22. WRONG A sense of action or implied movement in static works or art is . motion balance rhythm design 23. A designed unit or pattern that is repeated often enough in the total composition to make it a signifi- cant or dominant feature is . melody motif theme area 24. is achieved by opposing, contrasting, or diversifying the elements to add indi- vidualism and interest. rhythm design variety balance 25. The use of diverse elements and principles in a com- position is . Pointillism WRONG rhythm balance motif variety variety variety pattern balance symmetry 26. The focal point in a composition is known as . emphasis color design wet plaster 27. is the result of bringing the elements and principles of art into an appropriate ratio between harmony and variety to give a sense of oneness. Unity Economy Asymmetrical balance Directional forces 28. is two or more like elements or forms within a composition. Repetition Rhythm Asymmetrical balance Unity 29. The means by which the elements in a work are arranged : Design Principles Art Nouveau Repetition emphasis Unity Repetition Design 30. Systematic arrangement of a repeated shape or form is called . Pattern Repetition Perspective Emphasis 31. is a relative difference in size in parts or elements in an image. Proportion Perspective Style Weight 32. How do the elements and principles of design interact to form a visual relationship? a) Elements are kinds of form, and principles are structural strategies used in arranging form in space. b) When arranged in space, the elements of design are transformed into the principles of design. c) The elements are the basic structures used to orga- nize the principles in space. d) No answer text provided. 33. Clause Oldenburg and Coosje van Bruggen "Stake Hitch" affects us immediately by its . Scale Symbolism Iconography Color 34. The balance in Edgar Degas' "Jockeys Before the Race" is: Asymmetrical Symmetrical Pattern Proportion a) Elements are kinds of form, and principles are structural strate- gies used in ar- ranging form in space. Scale Asymmetrical Radial Repetitive 35. Non-representational art refers to what? art bearing no relation to anything recognizable figurative art art that is a departure from real-world depiction No answer text provided. 36. From Section II. Elements of Design, define and ex- plain HUE, VALUE, and SATURATION as they apply to color. art bearing no re- lation to anything recognizable Hue refers to col- or itself, but also to the variations of a color. Value refers to the relative lightness or darkness of one color next to an- other. The value of a color can make a difference in how it is perceived. A col- or on a dark back- ground will ap- pear lighter, while that same color on a light background will appear darker. Saturation refers to the purity and intensity of a col- or. The primaries are the most in- tense and pure, but diminish as they are mixed to form other colors. The creation of tints and shades also diminish a color's saturation. Two colors work strongest together when they share the same intensity. This is called equi- luminance [Show Less]